As we entered the FTII as student cinematographers the 1st six months were nothing but Still Photography as far as cinematography was concerned . We were given B/W film stock 100 ASA and asked to Still Images .. This was our beautiful beginning into the world of image exploration..People , landscape , activities , Light .. Morning Light, Evening light , Long shadows, Noon Light , Twilight .. Night every kind of light we tried to capture images .. Thus began our journey.. into an obsession with Light &Imaging..
At FTII we were fed on a liberal dose of European Cinema … I am talking about late 1980’s… It was a joy and revelation to see such realistic work of French New wave directors like Francois Truffaut , Eric Rohmer and Italian Neo Realism Masters like Vittorio Di Sica .. we were heavily influenced by the school of Naturalism / Realism in Lighting .. and one of my dear cinematographers whom I admired through the films was Mr Nestor Almendros.. who comes from a documentary background and started shooting movies for Directors like Francois Truffaut , Eric Rohmer who made extreme low budget film .. They did not want to shoot in the sets .. They rather preferred shooting on locations .. Nestor was quite a minimalist who also loved shooting on locations and preferred light coming through windows . In later days he beautifully shot “Days of Heaven “ for Terrence Malick .. . He is one cinematographer to be followed to study the use of Naturalism &Realism in Lighting in movies ..
He has also written a wonderful book called “ Man with the movie camera” .. a must read..