RED CINEMA CAMERAS

Nov 03 2016

Views: 680

The path Red took was slightly different. Digital movie cameras were already on the market when the Red team began their work. But the image quality of early digital cameras was nowhere near what was required for a feature movie. Quality was improving but Mr.Jannard (Founder of  Red digital cinema camera) wanted his first model to surpass all current digital cameras and exceed the strictest performance specs, even for film.

That required several years of engineering, mostly related to the semiconductor chip that is the heart of any digital camera and converts photons into electrons.

The Red team came up with a chip that was the same physical size as a frame of 35mm film, the Hollywood standard and produced an image that was virtually indistinguishable.

The dream that began on 2005 became a reality in 2007. The first Red model was introduced in 2007 and immediately attracted the attention of filmmakers like Peter Jackson and Steven Soderbergh.

Buying a camera for a film’s production is very rare as the cinema cameras are very expensive. But, Red Camera was prized reasonably. Therefore, it created the habit of buying a Red Camera for a film production.

SCARLET-W 5K

SCARLET-W brings an unparalleled level of accessibility to content creators everywhere.

  • RED DRAGON 13.8 MP CMOS
  • REDCODE RAW at 5K Full Frame up to 50 fps
  • Data transfer rates up to 140 MB/s
  • Apple ProRes at 2K up to 60 fps
  • Supports interchangeable lens mounts and OLPFs
  • Avid DNxHD at up to 60 fps
  • Standard OLPF included

  RAVEN 4.5K

RAVEN is ideal for drone and gimbal configurations or hand-held operation.

  • RED DRAGON 9.9 MP CMOS
  • REDCODE RAW at 4.5K Full Frame up to 120 fps
  • Data transfer rates up to 140 MB/s
  • Apple ProRes at 2K up to 60 fps
  • Integrated Canon EF Mount and OLPF
  • Avid DNxHD at up to 60 ps

RED WEAPON 8K S 35

  • HELIUM 35.4 Megapixel CMOS
  • 8K 2.4:1 resolution up to 75 fps
  • 16.5+ stops of dynamic range
  • 300 MB/s data speeds
  • REDCODE RAW + Apple ProRes or Avid DNxHR/HD

RED EPIC-W 8K S35

  • HELIUM 35.4 Megapixel CMOS
  • 8K 2.4:1 resolution up to 30 fps
  • 16.5+ stops of dynamic range
  • 275 MB/s data speeds
  • REDCODE RAW + Apple ProRes or Avid DNxHR/HD

WEAPON 8K VV (Vista Vision Format)

  • RED DRAGON 35.4 Megapixel CMOS
  • EFFECTIVE PIXELS 8192 x 4320
  • SENSOR SIZE 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
  • DYNAMIC RANGE 16.5+ stops

RECORDING

  • MAX DATA RATES Up to 300 MB/s using RED MINI-MAG (512GB & 1TB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

Red has unique advantage offering cameras with different lens mount like PL,EF,Nikon mounts. Also customizes cameras according to film makers demand. Recent example is, camera module altered for Director Michael Bay’s new film ‘Transformers –  Last Knight” according to the film makers need.

x
^