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New Sony 6K Full frame sensor cinema camera: Venice

  • Published on: 08 Sep, 2017
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VENICE  

Sony has introduced  a next generation motion picture camera system with a full frame sensor, phenomenal colour science and loaded with features like built n ND filters.

Sony is the first to introduce electronic cinematography and  24 frames/sec video recording and now already made a name for high end cinema cameras with Cine Alta series F5,F55 and F65 camera line up.

The new VENICE is equipped with a newly developed full‐frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality that allows for creating shallow depth of field and full lens coverage.This Camera can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4‐perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3‐perforation motion picture film). In other words, VENICE’s new full‐frame sensor can capture in almost any format, including full 18mm‐height Super35 Anamorphic and spherical and full‐frame 24mm‐height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full‐frame or Super35.   With VENICE, Sony is giving users the option to customise their camera by only enabling the features needed, according to their individual production requirements. Licenses will be available to expand the camera’s capabilities with new features including 4K anamorphic and full‐frame.

Fast Shutter 

Jello effect is something that we don’t need when filming. VENICE has high speed readout sensor which minimizes the jello effect that are typical in the CMOS sensors.

Phenomenal latitude  

VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real‐ world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.   More Colours for More Expression   VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI‐P3 and can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third generation LOG gamma encoding (S‐Log3), and Ultra‐wide colour space.

ND FILTERS

VENICE is the world’s first camera of its class with a servo‐controlled 8‐step Mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.

VENICE can record images  10bit internal XAVC recording to SxS cards or 16-bit RAW X-OCN via an external recorder.

MOUNT 

PL /E MOUNT

VENICE comes with the industry‐standard PL lens mount. It is compatible with all Super35 and full‐ frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.

E‐mount offers unsurpassed compatibility with Sony lenses. E‐mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saves time during a production.

15 STOPS exposure latitude are other expected features that sony has packed into this camera.

Colour Management & On‐Set Workflow

Catalyst Browse and the RAW Viewer are free software downloads for colour grading and transcoding capabilities that work in close alignment with third‐party colour grading applications and also with non‐linear editing systems.

This Sony Cine Alta VENICE 6K Camera specifications promises that of new chapter imaging technology.

 

Camera will start shipping from February 2018.

 

CJ Rajkumar

Author/Cinematographer

 

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                [post_title] => EMANUEL LUBEZKI: Winning The Oscar for Cinematography For Three Years In A Row
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                [post_date] => 2016-05-07 08:02:35
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                [post_date] => 2016-05-07 07:58:01
                [year] => 2016
                [month] => 5
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    )
    
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